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A
Journey into Flaubert's Normandy
Video, News, and Reviews
News
- Susannah Patton is spending part of the summer
in Normandy, staying in the same cottage she vacationed in while
she lived in Paris. She’ll be sending us a recap of her
visit upon her return to the U.S.
- A Journey into Flaubert’s Normandy
won the 2007 bronze Independent Publisher Book Award for travel
guide.
Reviews

Wichita Eagle
Mention Normandy, and most Americans think
of Omaha Beach. D-Day.
That may be a noble association, but this region
of northern France guards layers of riches that have nothing to
do with war.
One is Claude Monet’s series of Impressionistic
paintings of the cathedral at Rouen, Normandy’s ancient capital.
Another is Jean-Paul Satre’s novel, “Nausea,”
based on his experiences in the coastal town of Le Havre,
But the most famous artistic association may be
the life and works of Gustave Flaubert, the 19th century novelist
who was born in Rouen and set his celebrated fiction amid Normandy’s
provincial small towns and farms.
Susannah Patton, a journalist who has worked in
France, takes us deep into the heart of Flaubert’s Normandy
to reveal much about the man and the region that shaped him—for
better or worse.
Although he traveled in the Middle East and southern
France, Flaubert spent most of his life in Normandy, near his birthplace.
He found the pastoral countryside—ripe with cheese, cider,
and rainy climate—at times inspirational.
But he detested the Normans themselves, whom he
considered culturally repressed and closed-minded. No more so than
when they tried him for obscenity after he published “Madame
Bovary,” widely regarded as his masterpiece.
Today, Normandy exploits its connection to the
fictional Emma Bovary and her doomed experience. The town of Ry,
in particular, claims to be the real-life Younville-l’Abbaye,
where the novel took place.
And throughout Rouen, Flaubert reigns as a (belatedly)
favorite son. The initial uneasiness the city expressed over his
portrayal of small-town angst has given way to an appreciation for
his unflinching vision of modernity.
Patton’s book points out the many links between
Normandy’s cultural sites and Flaubert’s writings. Full
of mini-essays on fellow writers, artists, and, of course, Flaubert’s
parrot, “A Journey into Flaubert’s Normandy”
succeeds more as a beautiful monograph than as a practical travel
guide.
Which is as it should be.
For to see Normandy through Flaubert’s eyes
would ultimately be disheartening; at best, he was a reluctant ambassador
for his homeland; at worst, its chief critic.
Yet even he recognized that his dedication to literature
would have been impossible without Normandy’s profound influence
on his life.
In the end, perhaps his, too, is an association
of war—a great writer at odds with his roots.
But in this case, to the reader—and
the traveler—go the spoils.
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Offbeat Travel [Link]
Flaubert was, and his work probably still
is, controversial on many levels. He lived in 19th century Normandy
and had a strong connection to the place that figured in so much
of his work. Normandy appears almost as a character in much of his
writing and he reveals in his work a kind love and hate feeling
for the area.
This book takes us on a tour of some of the
most memorable places in his life. I was especially touched by the
part that describes Croisset, a country village on the banks of
the Seine—where he escaped with his mother after a number
of deaths of close family members. The black and white pictures
and paintings of Croisset just are so evocative and push your thoughts
and imagination so strongly to those days. And, of course, let’s
not forget that we get a guided tour of where the real life Madame
Bovary lived and died. That alone is worth the price of the book
many times over.
I loved this charming book and I know that
every sensitive and discerning reader will love it as well. It certainly
lives up to the high standards of the entire ArtPlace Series of
books. I can recommend it highly.
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